The Cinema Eye Honors for Nonfiction Filmmaking were founded in late 2007 to recognize and honor exemplary craft and innovation in nonfiction film. Cinema Eye’s mission is to advocate for, recognize and promote the highest commitment to rigor and artistry in the nonfiction field. Since 2011, the Cinema Eye Honors Awards Ceremony have been held in early January at the Museum of the Moving Image in Astoria, New York. The Awards Ceremony marks the conclusion of Cinema Eye Honors Week, several days of film screenings and events honoring the year’s nominees and the best of nonfiction cinema. Through Cinema Eye Honors Week and its activities throughout the year, Cinema Eye seeks to build and nurture the nonfiction film community.
At its inception, Cinema Eye was the first US or international organization to present annual awards for documentary in the fields of cinematography, original score and graphic design. It remains the only organization, aside from the guilds, to recognize outstanding direction and production. The Cinema Eye Honors recognize feature and short-length films with an emphasis on nonfiction films made for public distribution, whether primarily theatrical, festival or broadcast. Cinema Eye seeks to encourage audiences to engage with nonfiction work that crosses all genres, whether observational, journalistic, activist, essayistic, light-hearted or provocative as well as those exciting works that blur the lines between nonfiction and fiction. Since its founding, Cinema Eye has sought to change the conversation that film critics, festivals and awards bodies were having about documentary film, shifting the emphasis from importance of topic to artistic craft.
The inaugural Cinema Eye Honors were held at New York City’s IFC Center on March 17, 2008. Jason Kohn’s MANDA BALA (SEND A BULLET) received three awards that evening, including Outstanding Achievement in Nonfiction Feature Filmmaking. Alex Gibney followed up his Oscar win for TAXI TO THE DARK SIDE with the Cinema Eye for Outstanding Achievement in Direction. Gibney also served as a presenter at the event, along with filmmakers Barbara Kopple, Joe Berlinger & Bruce Sinofsky, Sam Pollard, Alan Berliner and Ross Kauffman.
The second edition of Cinema Eye was held at New York City’s TimesCenter on 41st Street on March 29, 2009. Ari Folman’s WALTZ WITH BASHIR received four honors, including Oustanding Achievement in Direction, and James Marsh’s MAN ON WIRE took three, including Outstanding Achievement in Nonfiction Feature Filmmaking. Presenters at the event included Al Maysles, DA Pennebaker & Chris Hegedus, Morgan Spurlock and musician/artist Laurie Anderson.
After two years of establishing the Awards Ceremony, Cinema Eye began an evolution in its third year that dramatically transformed the organization and created the bones of the Cinema Eye Honors that exists today. The Awards Ceremony moved from March to January and to the newly-remodeled Museum of the Moving Image in Astoria, NY; awards were added for Nonfiction Short, a Spotlight Award for films that have yet to receive proper attention, the Heterodox Award for narrative films and the Legacy Award for the films that inspired today’s filmmakers. With the help of our longtime sponsors at the Camden International Film Festival (and others), Cinema Eye became a multi-day event celebrating the nonfiction community as well the year’s creative and artistic achievements.
The third edition of Cinema Eye was held on January 15, 2010. Louie Psihoyos’ THE COVE received the top award for Outstanding Feature and Agnes Varda was presented with the Outstanding Directing Award for THE BEACHES OF AGNES. The Spotlight Award was presented for the first time (it went to Jessica Oreck’s BEETLE QUEEN CONQUERS TOKYO) and Cinema Eye presented its first Legacy Award to Ross McElwee for SHERMAN’S MARCH. McElwee also served as a presenter at the event, along with filmmakers Peter Davis, Barbara Kopple, Albert Maysles, Bill Plympton and Ellen Kuras.
The Fourth Annual Cinema Eye Honors were presented on January 18, 2011. Banksy’s EXIT THROUGH THE GIFT SHOP was named Outstanding Feature and Laura Poitras received the Directing prize for THE OATH. Lixin Fan’s LAST TRAIN HOME won three awards, including Cinematography and Production. Legendary filmmakers Al Maysles and Muffie Meyer accepted the Legacy Award on behalf of GREY GARDENS. Cinema Eye presented its first Nonfiction Short Film award (it went to THE POODLE TRAINER by Vance Malone) and first Heterodox Award, recognizing fiction films which imaginatively incorporate nonfiction strategies, content and/or modes of production. That award went to Matt Porterfield’s PUTTY HILL. Previous Cinema Eye winners James Marsh and Louie Psihoyos were among the presenters, along with Morgan Spurlock, They Might Be Giants’ John Flansburgh and actor/filmmaker Harry Shearer.
In 2012, the 5th edition of Cinema Eye took place on January 11, with Steve James and Alex Kotlowitz’ THE INTERRUPTERS receiving the top two awards, Outstanding Nonfiction Feature and Outstanding Direction. It was the first time in Cinema Eye history that one film had won both awards. Frederick Wiseman accepted the Legacy Award on behalf of his debut film, TITICUT FOLLIES, and Joe Berlinger and Bruce Sinofsky received the first ever Hell Yeah Prize for their PARADISE LOST series of films, which inspired a groundswell of public outrage over the case of the West Memphis Three. Presenters at the 5th annual event included Michael Moore, Alex Gibney, Peter Davis, Andrea Meditch, Josh Fox, Nanette Burstein and Robert Krulwich.
The 6th Annual Cinema Eye Honors were held on January 9, 2013. Emad Burnat & Guy Davidi’s 5 BROKEN CAMERAS took home the award for Outstanding Nonfiction Feature, while Heidi Ewing and Rachel Grady were named Outstanding Directors for DETROPIA. Michael Moore presented the Legacy Award to the 1993 political verite THE WAR ROOM, which was accepted by directors Chris Hegedus & D.A. Pennebaker and producers Wendy Ettinger and Frazer Pennebaker. Presenters included Susan Froemke, Jennie Livingston, Jonathan Caouette, Darius Marder and Marshall Curry.
In 2014, Cinema Eye returned to the Museum of the Moving Image on January 8, following several days of film screenings in Toronto, Los Angeles and New York as well as a number of events that honored the work of that year’s nominees. Joshua Oppenheimer and Signe Byrge Sørensen’s THE ACT OF KILLING was named Outstanding Feature Film and Outstanding Production. Sarah Polley received the award for Outstanding Direction for STORIES WE TELL, while Zachary Heinzerling’s CUTIE AND THE BOXER picked up three awards, including Oustanding Debut. Cinema Eye introduced an award for Nonfiction Filmmaking for Television, which went to Lucy Walker’s THE CRASH REEL. The Legacy Award was presented to Barbara Kopple for HARLAN COUNTY, USA, while the 2nd Hell Yeah Prize was given to Josh Fox for his GASLAND films. Presenters included Michael Moore, Jehane Noujaim and Chris Hegedus, Jennifer Fox, Heidi Ewing and Rachel Grady, Thelma Schooonmaker and Steve James.
For the 8th Annual event, Cinema Eye welcomed the first annual Honors Lunch, where the Legacy Award was presented to Jennie Livingston’s PARIS IS BURNING and the Heterodox Award was given to Richard Linklater’s BOYHOOD. At the Awards Ceremony the next evening, Laura Poitras’ CITIZENFOUR took home four awards, becoming the first film in Cinema Eye history to win for Feature, Direction, Editing and Production. The Cinematography Award was shared by Orlando von Einsiedel & Franklin Dow for VIRUNGA and Erik Wilson for Iain Forsythe & Jane Pollard’s 20,000 DAYS ON EARTH, which also won for Nick Cave and Warren Ellis’ Original Score. Filmmaker Sam Green hosted the awards and presenters included Steve James, Lucy Walker, Alan Berliner, Jonathan Oppenheim, Timothy “Speed” Levitch, Dawn Porter, Al Maysles and DA Pennebaker.
Cinema Eye is led by a core team that includes filmmakers Andrea Meditch (Board Chair), Will Lennon (Producer), Esther Robinson (Honors Chair), AJ Schnack (Founding Director) and Nathan Truesdell (Honors Director). Charlotte Cook, Director of Programming for the Hot Docs Film Festival, serves as the Chair of the Cinema Eye Nominations Committee. The work of Cinema Eye is supported year-round by our sponsors and by a number of filmmakers and members of the larger documentary community.
Feature film submissions for the 9th Annual Cinema Eye Honors will open in June 2015 and television award submissions will open in April 2015, with nominees to be announced in the fall and the award ceremony scheduled for January 2016.
Frequently Asked Questions
How do films become eligible for Cinema Eye?
Films become eligible by fulfilling one of five criteria:
1. Screening at three of the following international film festivals (listed chronologically): Sundance, Berlin, True/False, SXSW, Full Frame, Tribeca, San Francisco, Hot Docs, Cannes, Sheffield, AFIDOCS, Los Angeles, Toronto, Camden, New York, CPH:DOX or IDFA.
2. Screening at two of the above film festivals and winning a grand jury prize at one of them.
3. Screening at two of the above film festivals and reporting at least $5,000 in North American theatrical box office.
4. Screening at two of the above film festivals and screening at one of the following festivals represented on our Nominations Committee: Ambulante, Ashland, Sarasota, It’s All True, Planete Doc Review, Dokufest Kosovo, Hamptons, DOK Leipzig, DOCNYC and RIDM.
5. Reporting at least $20,000 in North American theatrical box office.
Films are eligible so long as they had their first premiere no earlier than January 1, 2013. Films that submitted in a previous year are not eligible, even if they fulfilled a different eligibility requirement in a following year.
Who is responsible for confirming Cinema Eye eligibility?
While the Cinema Eye team makes every effort to track festival screenings and theatrical receipts, it’s the responsibility of the filmmaker to make sure that Cinema Eye is aware of a film’s eligibility. The deadline for Cinema Eye eligibility for feature films is usually at the end of August. Deadlines for television entries will be in the spring. If you have questions, you can email willlennonATcinemaeyehonorsDOTcom.
Who nominates films for Cinema Eye?
Representatives from top film festivals showcasing nonfiction work are invited to participate by nominating five films in each category from the list of eligible films. For the 2014 Honors, the feature film nominations committee included the following members: Nominations Chair Charlotte Cook (Hot Docs), David Courier (Sundance), Heather Croall (Sheffield), Hussain Currimbhoy (Sheffield), Joanne Feinberg (Ashland), Tine Fischer (CPH:DOX), Elena Fortes (Morelia/Ambulante), Ben Fowlie (Camden), Tom Hall (Sarasota), Doug Jones (Los Angeles), Jim Kolmar (SXSW), Amir Labaki (It’s All True), Grit Lemke (Dok Leipzig), Artur Liebhart (Planete Doc Review), David Nugent (Hamptons), Veton Nurkollari (Dokufest Kosovo), Janet Pierson (SXSW), Thom Powers (Toronto/DOC NYC), Rachel Rosen (San Francisco), Charlotte Selb (RIDM), Sky Sitney (AFI DOCS), Genna Terranova (Tribeca), Sadie Tillery (Full Frame) and David Wilson (True/False).
The nonfiction short film nominations committee Karen Cirillo (True/False), Charlotte Cook (Hot Docs), Hussain Currimbhoy (Sheffield), Ben Fowlie (Camden), Charlotte Godfrey (SXSW), Ted Mott (Full Frame), Veton Nurkollari (Dokufest Kosovo), Rachel Rosen (San Francisco), Sky Sitney (AFI DOCS) and Kim Yutani (Sundance).
Once there are nominees, who votes for the actual awards?
More than 650 people comprise Cinema Eye’s voting membership and typically approximately 200-300 of those members cast their votes in a given year. Invitations to vote are sent to the following individuals:
1. The directors of each submitted feature film that particular year.
2. All current and previous Cinema Eye nominees, winners, presenters, jury members, committee and board members.
3. Top distributors, commissioners, grantors, curators, programmers, writers, critics, sales agents and publicists who specialize in the nonfiction field.
We encourage voters to view all of the nominated films in a given category before voting for a winner in a particular category. To help voters view films, we have partnered with the Hot Docs film festival to allow voters to watch films via their secure online viewing platform.
A few Cinema Eye categories are decided by juries. In 2014, these included the awards the Spotlight Award, the Heterodox Award and the award for Television films.
Is the Cinema Eye leadership team involved in nominating films for the Honors?
For the 2014 awards, Charlotte Cook, Chair of the Cinema Eye Nominations Committee, voted for nominations in her role as a festival programmer. 2014 Core Team Members Will Lennon, Andrea Meditch, Esther Robinson, AJ Schnack and Nathan Truesdell do not vote during the nominations process.
If you still have questions, please email willlennonATcinemaeyehonorsDOTcom and we will do our best to answer them.